HYPER IMPRESSIONISM: Difference between revisions
Created page with "The apparently instinctive movement of a group of moving heads illuminates the space in a brilliant and stroboscopic dance, as mechanical animals draw on the surfaces of the architecture, leaving scratching trails of light imprinted, luminous lines that overlap each other create an intricate evanescent, ever-changing painting. The iridescent paintings are generated exclusively by the contact between the lights and the surfaces of the architecture, like phantasmagoric bru..." |
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=== QUIET ENSEMBLE === | |||
The apparently instinctive movement of a group of moving heads illuminates the space in a brilliant and stroboscopic dance, as mechanical animals draw on the surfaces of the architecture, leaving scratching trails of light imprinted, luminous lines that overlap each other create an intricate evanescent, ever-changing painting. | The apparently instinctive movement of a group of moving heads illuminates the space in a brilliant and stroboscopic dance, as mechanical animals draw on the surfaces of the architecture, leaving scratching trails of light imprinted, luminous lines that overlap each other create an intricate evanescent, ever-changing painting. | ||
The iridescent paintings are generated exclusively by the contact between the lights and the surfaces of the architecture, like phantasmagoric brushstrokes the footprints left by the robots give the public a hyper-pictorial show, where the paintings are imprinted and then disappear, celebrating the "here and now ” as a fundamental of the hyper-impressionism. | The iridescent paintings are generated exclusively by the contact between the lights and the surfaces of the architecture, like phantasmagoric brushstrokes the footprints left by the robots give the public a hyper-pictorial show, where the paintings are imprinted and then disappear, celebrating the "here and now ” as a fundamental of the hyper-impressionism. | ||
Latest revision as of 09:11, 28 October 2025
QUIET ENSEMBLE
[edit | edit source]The apparently instinctive movement of a group of moving heads illuminates the space in a brilliant and stroboscopic dance, as mechanical animals draw on the surfaces of the architecture, leaving scratching trails of light imprinted, luminous lines that overlap each other create an intricate evanescent, ever-changing painting. The iridescent paintings are generated exclusively by the contact between the lights and the surfaces of the architecture, like phantasmagoric brushstrokes the footprints left by the robots give the public a hyper-pictorial show, where the paintings are imprinted and then disappear, celebrating the "here and now ” as a fundamental of the hyper-impressionism.
Shooting and editing; Something Surprising & Marcello Rotondella